"Thankfully, this Introvert Blues EP (they call it a single on Bandcamp, but there is three songs of such depth, it just feels like the title of “EP”, is infinitely more appropriate) sounds as invigorated as such a reunion should be.
The opening title track, moves within the musical hinterland between a sound that Dinosaur Jr never quite got around to and the driving, slightly sinister riffs of The Cult. All fuzz-laden, with slight faux melodies trying to claw their way to the surface to be heard, this is a perfect conflict of sounds.
The following Benefits of Motion is vastly different. Taking on the ‘dulcet’ of so many Triple J and Dunedin sound acts, whilst submerging the aesthetic in the understated, almost retro under-production of the Seeking Madras aesthetic. This is a perfectly underdone vibe for those who like their jangle-pop served a bit raw.
Such a rawness continues in their cover of The Reivers track, Araby. Here the sound takes on an altogether more sturdy power-pop approach that is reminiscent of the grumbling riffs of Dot Dash, as a sense of dynamism and cod aggression enables a sense of testosterone fuelled to add substance and completes an EP with three vastly disparate syles of sound."
"Have some angst-ridden shoegazy blues to see you into the weekend from The Valery Trails, this is the aptly named ‘Introvert Blues’ and it’s got a little Gary Numan, a little Sonic Youth and a bit of Husker Du, and we can dig that." - Soundsphere - Introvert Blues Single Review
"Part Australia, part Texas…that’s the story of The Valery Trails. Their sound, well, it’s going to take you back to classic 90s radio sounds, filled with a solid melody and distorted guitars. The chorus of “you are ok, we are ok,” is catchy too, so you’ll have something to sink your teeth into while you jam this one. Think of bands like REM or maybe a happier Dinosaur Jr and you’ll no right where this group stands. They’ll release their new LP, Chameleon Bones, on August 5th, so look to the end of your summer for this rad release." - Austin Town Hall
"Most of the songs come steeped in toe-tapping melodies and are defined by catchy guitar hooks, as well as Bower’s lived in vocals.
Highlights include the utterly infectious In Your Heart, which combines an instantly head-nodding back-beat with some almost indie guitar hooks that resemble (vaguely) the heyday of the Stone Roses era. Put together with Bower’s gritty, yet hushed vocals, it makes for a potent cocktail.
Hollywoodland has a more laidback, slacker vibe akin to the likes of Psychedelic Furs (circa Pretty in Pink, while Children inflicts the guitar sound with a kooky organ melody that slides in and out playfully.
Waiting drops another of those more alt-rock slacker vibes akin to Dinosaur Jr or Nada Surf and is a great track to just kick back and enjoy on a lazy day, especially instrumentally, but with a vocal that sounds amplified as if sung through a vocoder or something.
Fragment Hanging rocks its way into your subconscious in fine fashion (with more classic riffs), There Is Love blatantly lifts from The Cure’s seminal Close To Me instrumentally (and could almost be a cover until the lyrics take it in a different direction), and Black And White has a beautifully sombre tone to it that, again, takes its cues from The Cure – but some of their more melancholy work. It’s dark but hypnotic.
Put together, this is a mighty fine listen from a band that deserves to find a much wider exposure."
Jack Foley, IndieLondon (April 27, 2014)
Each moment of "Buffalo Speedway" is a journey down some misty road of mood and nuance with something surprising lurking just around each corner. Andrew has developed leaps and bounds as both a songwriter and guitarist since the debut. He still maintains his languid vocal style that slowly drags me in like a cloudy dream. His guitar works shimmers and glistens over the impeccable bass of brother Sean and drummer Dan McNaulty. Guest vocals by We All Want To's Skye Staniford are an angelic presence, as on the final cut "Rise and Fall" -- the lilting of her gorgeous voice perfectly complimenting and emoting Andrew's own tones. She helps to fill in spaces and adds another ethereal layer to the songs.
In addition to the presence of Skye, We All Want to is warmly represented by drummer Dan and vocals and outstanding production for Tim Steward. Working the dials with The Valery Trails, they combine talents to create an album that is energetic at times and unhurried at others. Always gorgeous. Always mesmerizing.
Grand Atlantic is also richly represented her by brother Sean's throbbing bass and keyboards by Morgan Hann.
Simply a gorgeous album from start to finish. And a special nod has to be given to the title track "Buffalo Speedway" as both the rockingest cut on the album, but also on a personal level as I used to live just off Buffalo Speedway in Houston myself. If there was ever a street name that begged to be a song title, this is it. Cheers Andrew. Well done.
The Ripple Effect